It’s easy to criticize art for being too long, whether literature, film or music. But there are times when the criticism is apt.
In 1869, Mark Twain convinced a
When Twain sticks to telling his story, he’s great. As usual, his sardonic wit and singular point of view make many passages delightful to read and he’s at his funniest with his tongue lodged firmly in his cheek. When his party finds the very hole in which Joseph was placed by his brothers, Twain claims that anyone must accept the indisputable nature of the fact since, in 1,800 years, no one has proved it wasn’t that hole. When his party comes across the One True Cross in the Holy Lands, he declares it the best of all the One True Crosses he has seen in cathedrals throughout
As a journal-keeping exercise in tracking first impressions and mood swings across the rocky emotional landscape of extended travel, this book is great. But as a story designed to captivate and entertain, its failings are obvious. Though I’m glad to have read it, given that I appropriated the title for a blog long ago, I can’t recommend The Innocents Abroad to anyone. When a book can stand to lose 150 pages without altering the story in the slightest, it officially qualifies as too damn long.
1 comment:
I've never been a gigantic Mark Twain fan, even though I acknowledge his literary significance, etc. Given that and how long I know that it took you to read this book, I think it's safe to say I'll never pick it up.
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